المليجي, ايمان. (2010). (De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warrior. مجلة کلية الآداب . جامعة الإسکندرية, 60(62), 1-41. doi: 10.21608/bfalex.2010.154238
ايمان المليجي. "(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warrior". مجلة کلية الآداب . جامعة الإسکندرية, 60, 62, 2010, 1-41. doi: 10.21608/bfalex.2010.154238
المليجي, ايمان. (2010). '(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warrior', مجلة کلية الآداب . جامعة الإسکندرية, 60(62), pp. 1-41. doi: 10.21608/bfalex.2010.154238
المليجي, ايمان. (De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warrior. مجلة کلية الآداب . جامعة الإسکندرية, 2010; 60(62): 1-41. doi: 10.21608/bfalex.2010.154238
(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warrior
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